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The large master bedroom can also be used as an additional living area by the parents and the children. Full-height glass panels at either end of the kitchen and living rooms also slide open to provide access to the pool. "The structure would be exceedingly quiet and crisp in its geometry, intentionally contrasting the organic forms of the desert, and very low to the ground to minimize its presence," said the studio.
Aidlin Darling Design - Architectural Record
Aidlin Darling Design.
Posted: Fri, 06 Oct 2017 01:45:35 GMT [source]
Eight home interiors where mezzanines maximise usable space
The interior of the home is sheathed in numerous species of wood that exude visual and tactile warmth. Custom builtin furniture furthers the intimate quality within the house while maximizing function within a modest building footprint. A biophilic ethos was paramount for the homeowners and permeates every room of the home. Personalize your stream and start following your favorite authors, offices and users. The deep brise soleil shades the interior as well and offers privacy from neighboring buildings without compromising the views. Both the boys' bedroom and family room spill out into the ground floor garden, providing the children with an expanded play area outside of the house.
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"The materials of the home were chosen to quietly contrast with the lighter palette of the desert landscape," the studio said. "The interior is a collage of concrete, wood, stone, and steel, each responding to its immediate application to maximise durability while providing the home with warmth and a soulful nesting quality." The three floors are connected by a central, steel, switchback stair with floating wood treads that nestle between a three-story plaster wall and a three-story mahogany cabinet. "The clients requested the main stair be a heroic and sculptural experience," says Aidlin.
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"It is quite porous and captures dramatic views of the San Francisco skyline, and more intimate views of the rear garden, from its numerous landings." The top floor, where the master bedroom is located, incorporates south- and north-facing clerestory windows to bring additional natural light to the interior. The second floor of the home contains public spaces for the family to come together, including the kitchen, dining, and living rooms as well as two built-in study nooks. The living room, which features a fireplace as the focal point, overlooks the front garden, while the kitchen and dining room overlook the rear garden. "While the wooden volumes house the critical program for the home, the entry sequence from garage to house is articulated by the orientation and form of two concrete entry walls," said Aidlin Darling Design. Stanford’s strict architecture guidelines, which reference its historical Romanesque quadrangle, have made it difficult for contemporary architects to assert themselves.
Terrace House / Aidlin Darling Design
The two monolithic walls on the north and south sides are integrally colored, steel-troweled plaster. They anchor the home in its site as well as provide privacy from neighboring homes. The main entrance to the home is covered by the overhanging roof, which is finished with a light wooden underside, into an all-glass dining area that separates the kitchen from the living room. "The parallel concrete walls not only frame the entry and the dining room beyond but most importantly the heroic view to the east and the Coachella Valley below." Eschewing the simple geometrical uniformity of modern architecture, Dean Larkin’s modern architectural design company in Los Angeles strives for a multi-layered complexity that is both effortless and elegant.
This connection with nature is also found on the ground floor, where the boys’ bedroom and the playroom open out onto the garden. On the second floor, the connection is much more dramatic, with a 10-foot-long steel bridge extending out into the rear yard hillside, providing access to the garden below. Like the second-floor living room, the more private living area in the master bedroom boasts a fireplace and expansive views.
His work distinguishes itself as a fusion of mid-century modern and out-of-the-box aesthetics; a look that has made Dean Larkin Design one of the leading high-profile architectural firms in Twenty-First Century Los Angeles. Perched on ten acres in the hills overlooking Napa Valley, this contemporary family home is defined by a triad of gable roof structures. The design embraces the area’s agrarian vernacular as well as the family’s ties to the Welsh countryside. Lydia Lee is a freelance writer in the San Francisco Bay Area, focused on architecture and design. An internationally renowned figurative painter, Oliveira joined the Stanford faculty in 1964 and taught art there for more than 30 years. He also served as a student advisor, and became concerned with the amount of stress he observed.
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Weekly updates on the latest design and architecture vacancies advertised on Dezeen Jobs. Daily updates on the latest design and architecture vacancies advertised on Dezeen Jobs. The living roof is planted with a combination of natural grasses and succulents. From the roof, there is a panoramic view over San Francisco to the East Bay.
Aidlin Darling is honored as one of Interior Design’s 2023 Hall of Fame inductees alongside managing director and principal of Gensler, Carlos M. Martínez Flórez, and textile designer and weaver Suzanne Tick. The Center for Architecture + Design, the L|J Residence and the Trestle Residence each received a top Design Award of Excellence. The Rosa Parks Elementary School Chicken Coop received a Design Award of Merit. This webinar explores how integrating technologies into our daily routines can transform our work processes and AE firm’s culture. To build the composition, hundreds of oak-clad units are assembled in vertical layers—storage boxes on the bottom, hands-on areas in the middle, displays at the top, and a cantilevering cornice at the tippy-top.
"The design intent was to create a glass house that captured and framed these two opposite conditions that flanked the house east to west," says Aidlin. In the hillside neighborhood of Castro Heights in San Francisco, a nondescript, midcentury terrace home has been transformed by Aidlin Darling Design into a three-story, multi-generational oasis crowned with a wild roof garden. "The existing home was dwarfed by its neighboring houses," says architect Joshua Aidlin, cofounder of Aidlin Darling Design. "The final massing of the home thoughtfully fills in what had been the ‘missing tooth’ among the existing row of homes on the street."
"They strove to have a spectacular view of Sutro Tower from their master bathroom." Sent every Tuesday and containing a selection of the most important news highlights. Sent every Thursday and featuring a selection of the best reader comments and most talked-about stories. Other homes in the area include a house by Albert Frey, which was restored by its owner to match Frey's initial design from the 1950s, and a home by Turkel Design's founders that echoes the area's popular midcentury style. Nearby Palm Springs is famed as the epicentre of California desert living.
In the main space, heavy rammed-earth walls, which range up to 2 feet in thickness, highlight the sedimentary layers of the soil that was used to form them. “We thought about the precedent of a cabinet of curiosities,” says Kent Chiang, principal and project architect at San Francisco–based Aidlin Darling Design. The firm reinterpreted 17th-century vitrines housing taxidermy and astrolabes into a 120-foot-long, S-shaped, compartmentalized, interactive display of the latest Google devices. Operable windows and doors on the east and west facades allow for effective cross ventilation across the narrow footprint of the home. The clients were also interested in incorporating sustainable architectural strategies where it made sense. The brise soleil controls light and heat gain, deep overhangs offer passive solar control, and cross-ventilation is enabled by the narrow footprint and operable windows and doors.
On the occasion of his retirement in 1995, he gave a talk about his vision for a contemplative space that could provide some moments of quiet respite. In the audience was a collector of his work, Suzanne Duca, who offered to help fund the center. “From the outset, we started a studio with an ethos of designing for all the senses,” Aidlin says.
The Center is located in the heart of the campus, adjacent to a natural oak grove. The extended progression to the building’s entry through a long, private garden sheltered from its surroundings by a line of tall bamboo, allows visitors to shed the outside world before entering. Within, the dichotomy created by the thick-rammed earth walls and dark wood surfaces with the lightness of the fully glazed east wall heighten the view to the oak glade beyond.
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